In his book Fear and Trembling, Søren Kierkegaard deals with the concept of imprint and the melodic theme of sacrifice, focusing particularly on the story of Abraham and Isaac, as presented in the Bible. Abraham here is depicted obeying beau ideal and abandoning amicable norms ? the process through which he earns honor and glory as the father of faith. This is what Kierkegaard calls ?the teleological suspension of the estimable?, and concludes that faith is essentially conundrumical. The problem he wants to address is whether one is justified by suspending the ethical in favour of a higher(prenominal) authority, God for example. In this canvas I pull up stakes present Kierkegaard?s understanding of faith as a paradox, whereby the particular is higher than the universal, and therefore demands a teleological suspension of the ethical. In secernate to present the paradox of faith more accurately, I will outline and try Abraham?s story as presented in the book of contempo raries in the Bible. Finally, I will calculate this story against ethics, pietism and social laws, and logically argue that Abraham does non deserve pay back as the father of faith, as the Bible asserts, but that he ought to be prosecuted and convicted of attempted murder. Kierkegaard?s concept of faith as a paradoxKierkegaard posits out terce possible styluss of homosexual cosmea superseding each other as follows: aesthetic, ethical and ghostly.
The aesthetic mode is found on sensational pleasures; the ethical mode is based on social norms; and the religious mode is based on one?s touch sensation in God. Kierkegaard praises aesthetic and ethical r! esponses to life but maintains that they do not free human beings from dread and despair. Consequently, human beings limit to the religious mode of universe of discourse and establish a relationship with God that has no decisive evidence to be recommended. The relationship of an individual... If you want to get a full essay, set out it on our website: OrderCustomPaper.com
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